國內英語資訊: China Focus: New industry law means promising future for Chinese film

            雕龍文庫 分享 時間: 收藏本文

            國內英語資訊: China Focus: New industry law means promising future for Chinese film

            BEIJING, March 16 (Xinhua) -- China's new film industry law provides the regulation needed to help bring the fast-growing market into a golden era, according to industry insiders.

            The law, which took effect March 1, clarifies punishment for fabrication of box office revenue, increases government investment in the industry and reduces taxes, among other provisions.

            Over the past few years, the film industry has developed into one of the most active and bright fields in China's cultural sector.

            According to the State Administration of Press, Publication, Radio, Film and Television (SAPPRFT), China's box office sales in 2024 reached 45.71 billion yuan (6.64 billion U.S. dollars), up 3.73 percent year on year.

            China produced 944 films in 2024, and the box office sales of domestic films topped 26.66 billion yuan, accounting for 58.33 percent of total box office sales, the SAPPRFT said.

            The law will help develop China's film industry, which has grown rapidly in past years and entered a period of stable improvement, said Yin Hong, a professor at Tsinghua University, in a report by the People's Daily.

            Yin compared the law to a measuring stick for government regulators and film industry professionals to set legal standards in communication, trade and competition.

            The law protects intellectual property and delivers a blow to fabricated box office figures as well as pirated copies of films, said Zhang Hongsen, head of the film bureau at the SAPPRFT.

            CULTURAL CONFIDENCE

            Zhang said that the law also plays a role in promoting Chinese movie exports to extend visibility and impact overseas.

            Zhang was echoed by La Peikang, chairman of China Film Co., Ltd., who said that China should promote more movies overseas that tell Chinese stories.

            La also emphasized "cultural confidence," telling good Chinese stories, attracting audience and ensuring the sustainable development of the film industry through regulation.

            Although box office revenues account for just a small portion of China's GDP, Yin said, movies have immeasurable value for its national image, tourism, advertising, fashion and international trade.

            Yin added that starting from World War I, films have been part of the development strategy of the United States. China's new law protects intellectual property and encourages film-related merchandise and licensing. These gestures "reflect the important role of movies in China's overall development strategy," said Yin.

            REVENUES AND PRAISE

            Quality movies cannot be made crudely for quick profits, said Yu Dong, CEO of Bona Film Group. Instead, quality movies are the result of cultural confidence and the spirit of craftsmanship, he continued.

            Yu cited "Taking of Tiger Mountain," an action movie about a real-life Chinese undercover agent in northeast China after World War II. "It brought in both box office revenues and public praise," said Yu.

            In addition to high-quality movies, La pointed out the need to address problems such as fabricating box office earnings.

            "The film industry law shoots the arrow at these areas in legal form and will bring more order and prosperity to the industry," said La.

            China's box office revenues have been increasing at 30 percent for almost ten years. The slowing growth rate last year has spurred extensive concerns. However, Zhang disagreed that this suggests an inflexion point.

            In order to protect film workers, China needs to establish a system in which good movies get good returns, said Yu.

            The law specifies that people working in the film industry must strive for "excellence in both professional skills and moral integrity," maintain self-discipline and create a positive public image.

            Ning Hao, a director and scriptwriter, suggested a sense of honor for film workers to complement current market standards.

            BEIJING, March 16 (Xinhua) -- China's new film industry law provides the regulation needed to help bring the fast-growing market into a golden era, according to industry insiders.

            The law, which took effect March 1, clarifies punishment for fabrication of box office revenue, increases government investment in the industry and reduces taxes, among other provisions.

            Over the past few years, the film industry has developed into one of the most active and bright fields in China's cultural sector.

            According to the State Administration of Press, Publication, Radio, Film and Television (SAPPRFT), China's box office sales in 2024 reached 45.71 billion yuan (6.64 billion U.S. dollars), up 3.73 percent year on year.

            China produced 944 films in 2024, and the box office sales of domestic films topped 26.66 billion yuan, accounting for 58.33 percent of total box office sales, the SAPPRFT said.

            The law will help develop China's film industry, which has grown rapidly in past years and entered a period of stable improvement, said Yin Hong, a professor at Tsinghua University, in a report by the People's Daily.

            Yin compared the law to a measuring stick for government regulators and film industry professionals to set legal standards in communication, trade and competition.

            The law protects intellectual property and delivers a blow to fabricated box office figures as well as pirated copies of films, said Zhang Hongsen, head of the film bureau at the SAPPRFT.

            CULTURAL CONFIDENCE

            Zhang said that the law also plays a role in promoting Chinese movie exports to extend visibility and impact overseas.

            Zhang was echoed by La Peikang, chairman of China Film Co., Ltd., who said that China should promote more movies overseas that tell Chinese stories.

            La also emphasized "cultural confidence," telling good Chinese stories, attracting audience and ensuring the sustainable development of the film industry through regulation.

            Although box office revenues account for just a small portion of China's GDP, Yin said, movies have immeasurable value for its national image, tourism, advertising, fashion and international trade.

            Yin added that starting from World War I, films have been part of the development strategy of the United States. China's new law protects intellectual property and encourages film-related merchandise and licensing. These gestures "reflect the important role of movies in China's overall development strategy," said Yin.

            REVENUES AND PRAISE

            Quality movies cannot be made crudely for quick profits, said Yu Dong, CEO of Bona Film Group. Instead, quality movies are the result of cultural confidence and the spirit of craftsmanship, he continued.

            Yu cited "Taking of Tiger Mountain," an action movie about a real-life Chinese undercover agent in northeast China after World War II. "It brought in both box office revenues and public praise," said Yu.

            In addition to high-quality movies, La pointed out the need to address problems such as fabricating box office earnings.

            "The film industry law shoots the arrow at these areas in legal form and will bring more order and prosperity to the industry," said La.

            China's box office revenues have been increasing at 30 percent for almost ten years. The slowing growth rate last year has spurred extensive concerns. However, Zhang disagreed that this suggests an inflexion point.

            In order to protect film workers, China needs to establish a system in which good movies get good returns, said Yu.

            The law specifies that people working in the film industry must strive for "excellence in both professional skills and moral integrity," maintain self-discipline and create a positive public image.

            Ning Hao, a director and scriptwriter, suggested a sense of honor for film workers to complement current market standards.

            主站蜘蛛池模板: 乱中年女人伦av一区二区| 日本免费电影一区二区| 国产成人av一区二区三区在线| 久久福利一区二区| 精品视频一区二区三三区四区| 69福利视频一区二区| 性色AV一区二区三区天美传媒| 日韩AV片无码一区二区不卡| 日韩精品福利视频一区二区三区 | 99精品一区二区三区无码吞精| 日韩一区精品视频一区二区| 一色一伦一区二区三区| 国产精品一区二区在线观看| 国产激情一区二区三区| 蜜臀AV在线播放一区二区三区| 中文字幕一区日韩精品| 亚洲乱码国产一区网址| 亚洲综合无码一区二区三区| 免费在线视频一区| 无码乱人伦一区二区亚洲一| 精品国产福利在线观看一区 | 国精品无码A区一区二区| 亚洲制服中文字幕第一区| 成人国产精品一区二区网站公司| 国产A∨国片精品一区二区| 一区二区视频在线播放| 日本精品啪啪一区二区三区| 国产一区二区三区免费观看在线| 国产一区二区三区影院| 狠狠做深爱婷婷综合一区 | 国精品无码A区一区二区| 另类国产精品一区二区| 中文字幕一区二区人妻| 日本精品视频一区二区| 久久久久人妻精品一区二区三区| 国产一区二区三区在线| 亚洲综合一区国产精品| 国产99久久精品一区二区| 综合人妻久久一区二区精品| 中文字幕日韩欧美一区二区三区| 久久99精品波多结衣一区|